"Art ornamentation of the Alhambra is a science and to fully appreciate it is necessary to know the underlying principles. One component is the arabesque, which takes place in an almost unlimited variety of ways. It is not simply a substitute for figurative art, which is forbidden by Islamic law, bearing in mind that this law is interpreted in various However, the arabesque, with its rhythmic repetition serves a purpose quite different from art of painting. It does not seek to capture the view to carry an imagined world, but on the contrary, the release of all the concerns of the mind, like how does the observation of water flowing from the fields swaying in the wind falling snow or flames. It does not convey specific ideas, but a estadon of being that is both rest and inner rhythm ... simile of the purest manifestation of divine reality (al-Hakikar), which is the center of each creature and each cosmo nothing can proclaim his existence by his own reflection, creating an endless reflection of stars. "Unity of Being" (Wahdat al-wudjud), but is expressed in two ways in this "web of God," emerging from one side, and radiating from many identical centers "(Moorish Culture in Spain, p. 206 )
Burckhardt revealed the spiritual significance of Islamic Art. He advocated that the highest meaning of all Islamic art is always unity, and showed as revealed and leads to the main unit and reflects the mystery of the manifestation of the "One" in many, and the multiplicity in the unit. Titus Burckhardt has been described by Syed Hossein Nasr as a noble scholar who "saw that the real purpose of art Traditional is to help us be ourselves, to return to our "fitrah" or primordial nature is the supreme masterpiece created by the Supreme Artisan, the "Sani" without the realization of reality as there would be "sina 'ah' of art it worthy of the name "(" The vision of Ibrahim Titus Burckhardt). Courses
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